Explore and evaluate Shakespeare’s use of the supernatural in Macbeth Essay

Explore and evaluate Shakespeargons subroutine of the ghostlike in Macbeth, supporting your answer with a detailed discussion of two moving pictures of your choice.In the athletics Macbeth, the wizardly is a major theme, and is important on a number of levels good dealoffly, it held humankindy attractions for its authorized listening, both general and specific secondly, the super raw(a) is an intriguing salient device, employ to drive the play along and to backing it exciting fin completelyy, the occult excessively has a spacious thematic deduction to the play. This adjudicate leave behind look at each of these come ins in turn, and accouterment them with a detailed analysis of exactly how Shakespeargon uses the miraculous in give tongue toing to two scenes affect One painting One, and Act Five burst One.It is important, however, to begin with a definition of the super internal and what it savvyes.The witchlike is defined as forces, occurrences, and cosm oss that cannot be explained by science. When the great unwashed cerebrate of the super intrinsic they automatically view of dark and mysterious universes such as ghosts and witches, precisely phenomena such as hallucinations, prophecies, vision and apparitions can in like manner be grouped under the transmundane. The super intrinsic comes from the two legers super and disposition. In this case the word super means beyond, so the supernatural can encompass all things beyond nature, or perversions of nature, such as unusual bear and weather and sleep disorders. Finally, the supernatural can e actuallywherely mean disrupting the natural order, such as regicide.When Shakespe ar wrote Macbeth, he wrote it for a specific as on the wholesome as a general earreach The specific audience was throng I, and the general audience were the theatregoers of Elizabethan and Jacobean England.It was genuinely important that when Shakespe be wrote Macbeth, he wrote in a fashion that wo uld appeal to jam I. mob I had been the Patron of Shakespeargons band of actors, The Kings Men, since 1603, and it is thought that Macbeth was low gear performed in August 1606 to celebrate the visit of crowd together brother-in-law, King Christian of Denmark, so crowd together I would hand been the Patron of The Kings Men for three years. It was important that the Patron enjoyed the plays because he or she was atomic number 53 of the primary(prenominal) sources of m whizy for the actors.In Macbeth, witches were the main supernatural phenomenon in the play, and for the audience of the metre, witches were believed to be very real, and a subject of great conversation, not shape up with the regular working-class, scarce everyplacely with the great thinkers of that time. This image was excessively memorably and hilariously in the famous debate scene from Monty Python and the Holy Grail. around importantly, though, the use of witchcraft in Macbeth would halt appealed g reatly to King pile I.James I al ways had a fascination with witches. In 1950, darn he was cool it King of Scotland, he had all over 300 witches anguish in order to duplicatect confessions that they were conspiring against him. King James took an active cut off in these trials, believing that, since the Kings was believed to be paragons representative on Earth, he would obviously be the main target of these agents of the devil. Also, James himself wrote and published a book about witchcraft around 1597, the Demonology, in which he detailed their supposed powers of predicting the future, affecting the weather, defying all laws of physics and winning demonic possession of innocent people.In 1592, King James had a sateing with a lady called Agnes Simpson, some unrivaled who for a long time had been suspected of being a practising witch. James met with her to interrogate her about her witchcraft, but was highly disturbed when Simpson began quoting the exact uniform words James s wife give tongue to to him on their wedding night. This made James further some-off more engrossed with witchcraft, and made him plane more determined to disengage the world of these agents of the devil.Finally, in 1604, new laws were enacted by James I stating that practising witches would be punished by execution.Shakespeare not only employ the witches to ginger snap the attention of James I he also used them as a way to flatter James, his friends and his relatives. The witches are used to prophesise the succession of Banquos progeny as King, and help to hand over Banquo favourably In the original story of Macbeth, found in Holinsheds Chronicles of Scotland, Banquo is complicit to Duncans murder, but Shakespeare changes this to surface that Banquo is a h peerlessst, pure-of-heart person, which will please James I as Banquo is a old ancestor of his. He also shows Banquo to be a sassy person in Act One Scene Three, where Banquo and Macbeth meet the witches for the jump time. Macbeths reaction is nonpareil of ambition, and is captivated by what the witches interpret, whereas Banquo has a remote more cautious response, and is aware that the witches could sanitary be up to no good.I, iii 123 126And often times to win us to our harm,The instruments of darkness specialize us truths,Win us with honest trifles, to betraysIn deepest consequence.-This will please James I, to live on that his relatives were also aware of witches evil. James I is also mentioned in Macbeth, when Macbeth has a vision of eight Kings, on with two-fold balls and treble sceptres. These were James regalia, and symbolised Jamess power over Macbeth. James I is also regainn to have power of Macbeth when Banquos ghost is seen academic session in Macbeths chair.This use of the supernatural suggests that Banquos ancestors will one day tackle over the throne from Macbeth. Macbeths fear of Banquos ghost also suggests again that Banquo is superior to Macbeth. Finally, Shakespeare uses the supernatural to inte symmetricalness James I when Macbeth seems powerless in the face of dame Macbeths illness. Malcolm and Macduff chew out about how the true up king has the power to cure the Kings Evil, as disease called scrofula. James I was believed to have this power and it would have pleased James to know that Shakespeare has shown him to be more powerful than Macbeth.Shakespeare also realised how important it is for plays to appeal to their general audience, and uses a number of unalike methods to carry this out.The regular people of Elizabethan and Jacobean England also had a fascination with witches, and every town in England would have suspected witches, so it was a common subject of conversation. From these conversations sprouted rumours about the ways and lifestyles of witches, and Shakespeare piece hints of these stories into Macbeth. In Act 1 Scene 3, Witch 2 says she has been sidesplitting swine, whilst witch 1 says that in a sieve Ill here sail. The people of that time did actually believe that witches killed pigs and sailed over the maritime in a sieve, and hearing these things in a play would have lit up their enthusiastic fascination and would have grabbed their attention.In Macbeth the witches are not only used to fascinate the audience but also to amuse them. The audience would have enjoyed the reference to the witches beards in Act 1 Scene 3, as the witches would have been played by men, and the self-aware jesting from the actors would have gone down well with the whole audience.Shakespeare also uses late(a) in timets to attract the audience. Macbeth becomes very concerned about the event that he has no heir to his throne, and the audience will be able to subsume this to their recent experience of Queen Elizabeth, who died with no natural heir.The supernatural also adds to Macbeth on a dramatic level, and is used to create suspense, embellish themes of the play and to stress the characters personalities, amongst ot her things.As previously mentioned, the supernatural encompasses hallucinations, and Macbeths hallucination of a thorn is a great dramatic device to give the audience the full, haunting extent of Macbeths upcountry turmoil. In some performances of Macbeth, the poser actually appears hovering on symbolise, and whilst that maybe an interesting use of special piths, I think it is far more effective when the dagger is invisible, as we can see that he is in detail seeing things, and that what is going on is dear in his mind. Similarly, when Macbeth sees Banquos ghost sitting in his chair, having no one sitting in the chair shows how disturbed Macbeth is.Also, this would the audience in the same sentiment as his friends at the table, perplexed and worried about what is happening. On the other hand, if someone was to play Banquos ghost, it would allow for the actor to puddle use of the coiffure trapdoor, which would have gone down very well with the audience. Another use of Banquos ghost is to mark a round point in the play before the ghosts arrival, Macbeth is influential and respected, but his reaction to the ghost shows him in a completely diametric light, nervous and indefensible, and this would change his friends opinions. This markifies a big change in the play, and from this point onward things become progressively words for Macbeth.Another example of how the supernatural is used as a dramatic device is when Macbeth and Banquo first meet with the witches. The audience know that Macbeth is to be soon hailed Thane of Cawdor, but Macbeth is unaware. This use of dramatic irony gives the audience a sense of superiority, and draws them into the play.Finally, in Act 2 and Scene 4 Ross and the Old Man are commenting on how the events of Macbeths regicide have affected the wider world. Here they act close like a Greek chorus, providing a running commentary on events. The events they describe, such as Duncans horses eating each other and a Falcon being eate n by a Mousing Owl effectively tell the audience that Macbeths actions have far-reaching consequences.Macbeth is a catastrophe, and Shakespeare uses the supernatural to reinforce this. Macbeth is tragic because at the blood reap of the play Macbeth is a brave, honourable man, but by the end he is a weak, self centred man, who is eventually killed through fault of his own. This fits Aristotles notion of what a tragedy is. In his Poetics he says that a good tragedy has to be about the downfall of a man from a position of greatness to one of lowliness and destruction. However, Aristotle then goes on to say that it is only a true tragedy if the downfall was brought about by an aspect of the mans personality, what Aristotle called his fatal flaw. Macbeths fatal flaw is his ambition, and the supernatural is used to back this up in a number of waysThe witches in Macbeth are used to show how Macbeths ambition takes over everything in his life, and is responsible for Macbeths killing of D uncan. In Act 1 Scene 3, the witches dont say anything about killing Duncan, but Macbeth is so captivated by the fact that he has been told he could be King, his ambition takes over and he would do anything to get to the crown. Shakespeare also uses Banquos reaction to the witches prophecies to bring out Macbeths burning ambition further still. Banquo hears the same things from the witches, but responds in a far more level-headed way, which shows how great an effect Macbeths ambition has on his thoughts.Ambition is one of the main themes in Macbeth, but perhaps the most important theme is that of Kingship, and the lengths Macbeth will go to to become King, which includes Regicide. In Shakespearean times people were far more aware of The Divine Right of Kings, and on that pointfore killing a King was the next crime down from killing God. An assault on the King is an assault on God, and it was shown by Ross and the Old Man in Act 2 Scene 4 that the killing of Duncan had supernatural consequences. These consequences are an example of how nature is disordered and unnatural, and the supernatural also conveys this in a number of waysIn the opening scene, the witches talk about paradoxes such as fair is foul and foul is fair, and they say Banquo is lesser that Macbeth, and greater. This is Shakespeares way of showing that things in the play are the turnaround of what they seem, and that in that location are many double meanings to what the witches say. Even the appearance of the witches show that things are reversed and upside down, as displayed by the witches beards.Also, Shakespeare uses the interruption of natural bouts such as sleep to show how the natural order has been interrupted. gentlewoman Macbeths somnambulance is a clear example of how disturbed she is over the death of Duncan, and because dame Macbeth is always putting a bet on in public laced with smiles, sleepwalking is a highly effective way of bringing out her inner turmoil.Finally, Shakespear e uses pathetic fallacy to show what effect Macbeths actions have on the rest of the world. The stormy weather and earthquakes expound once again by Ross and Old Man demonstrate that there not just a few people suffering from Macbeths actions, it encompasses a whole nation.This turn out has shown how Shakespeare uses the supernatural in a dramatic, thematic and audience-specific ways, but in order to see just how effectively he integrates into the text, it is important to look at two scenes where it is most memorably used. This essay will be looking at Act 1 Scene 1 and Act 5 Scene 1.ACT 1 mount 1The opening scene is an excellent platform to see the supernatural in its most common manifestation in Macbeth the three witches. The first scene introduces the audience to the witches, and Shakespeare uses the witches to set the scene for the rest of the play.Before the witches even speak, we know this is going to be a dark, intense play from the give directions. Firstly, thunder and l ightning is Shakespeares way of using pathetic fallacy to tell us what class of mood the play has. Thunder and lightning creates a very tense mood, as you never know when the lightning will strike. It will also create a dark sky, making it every scarier. Thunder and lightning also symbolises that everything is not in order, and things arent running smoothly.The second part of the give directions simply says Enter THREE WITCHES. I have already said how fascinated people were with witches in Shakespearean times, and seeing on stage as soon as the play begins would have lit their frenzy and grabbed their attention instantaneously.Witches are of course encompassed by the supernatural. These agents of the devil are there to show that the natural order of things and the natural order of God has been disrupted, and all is not well.When the Witches begin talking, it becomes apparent that they want to meet with Macbeth, and that things in the play arent all well. When they say when the ba ttles lost and won, these oxymoronic statements show that everything is upside down, and that one thing can quite soft mean the other. It emerges that they will meet again with Macbeth upon the heath before the set of the sun, meaning today. They also talk about their demons, Paddock and Greymalkin, a toad and a cat. People at the time believed witches kept pets to spy on people so they could posses them. James I wrote about it in his book.The language that witches use and the way they talk is quite unusual, and shows why the three have been brand The Wyrd Sisters. When the witches are talking, they never talk in iambic pentameter, the usual mold of Shakespeares writing. The iambic pentameter symbolises a natural rhythm, and the disruption of this rhythm demonstrates the natural order of things has been disrupted. This is very similar to Lady Macbeths sleepwalking in Act 5 Scene 1. Also, the witches parlances seem to carry on from one another.An example of this is when Witch 2 say s When the battles lost and won, and Witch 3 immediately replies That will be the ere the set of sun. This sort of language could mean that they are all part of one body, and controlled by one greater power, namely the Devil. It also could be seen to show that the witches are using telepathic powers to communicate with one another. The people of Shakespearean times were firm believers that witches could communicate with each other through the power of their minds, and James I also wrote about it in his book The Demonology.The penultimate line in this scene, Fair is foul, and foul is fair once again shows how one thing can mean the other, and that the witches are turning over Gods natural order.The first scene in this play isnt very long at all, but in it Shakespeare manages to tell us an awful lot about the nature of the play, and sets the scene well for the rest of the play.This haunting scene shows the last(a) degeneration of Lady Macbeth, in which the supernatural plays an impor tant part in conveying the full extent of Lady Macbeths troubles.Prior to this scene, Lady Macbeth has never let her cover slip. She has remained thinnocent flower in public, and only alone or with Macbeth has she been the snake in the grass undert. This is the first point where she subconsciously lets her facade slip. totally when she says she would have murdered Duncan had he not resembles / her father as he slept does the audience see she has the tiny piece of humanity, and the audience also sees a glimpse of her guilt when she says that Naughts had, alls spent, / Where our rely is got without consent. Apart from these two comments, Lady Macbeth has appeared strong and not let her front slip, so it is a great shock to see her so vulnerable and weak in such a verbal and visual way.The stage directions of this scene are Enter a DOCTOR OF PHYSIC and a WAITING-GENTLEWOMAN.The fact that there is a set up is a concern to the audience, because a desexualise is only ever present when someone is ill (nature being disordered), or there is a need to stave off death. Also, a waiting-gentlewoman suggests that Lady Macbeth that has to depend on someone else, which is a huge parentage to her ever-independent personality, especially since the waiting-gentlewoman is of a lower status to herself. So just by the stage directions, we know that Lady Macbeth is in need of help.We are also aware of that Lady Macbeth is troubled from the conversation surrounded by the Doctor and waiting-gentlewoman. For a start, it turns out that that the pair have been watching Lady Macbeth for two nights now. The fact that Lady Macbeth has let people watch her without her realising shows how vulnerable she is because she doesnt know what information she is giving to the audience. The gentlewoman then goes on to tell the Doctor (and the audience) a list of what Lady Macbeth has done Since his majesty went into the field. The fact that she automatically throws her night-gown upon her suggest s that she is subconsciously ashamed of herself and has a desire to conceal her true self. This is a very effective insight to Lady Macbeths inner thoughts, although this is lost in the Polanski version of Macbeth, where she appears naked.This essay has already discussed how Macbeth is full of oxymorons and contradictions, and this scene is no exception. When the waiting-gentlewoman talks about how Lady Macbeth has managed to complete all these actions that unremarkably occur when people are awake (she manages to unlock he closet, take forth paper etc.), it is highly strange for anyone to do them in a most fast sleep. This is another way of Shakespeare showing that nature has been disrupted.The Doctor explains it well that there has to be A great ruffle in nature, to receive at once the benefit of sleep, and do the cause of watching He then follows this with the oxymoronic slumbery agitation, another sign of a natural rhythm being overturned. Lady Macbeths actions are also full o f contradictions, as noted by the comments her eyes are open but their senses are still shut and also she has radius what she should not, displaying once again the fact that she has no control over what people hear her say. Finally, the fact that the servant wont tell the Doctor what she has seen her do previously heightens the suspense.When Lady Macbeth finally arrives onstage, the stage directions say with a taper. The taper could resemble her closing off, a small candle in a dark room, or it could emphasise her desire for light, in course too her dark desires. It would also give extra meaning to Macbeths famous out, out brief candle legal transfer, which he gave just by and by the news of his wifes death.Sleepwalking is unnatural, as a natural bodily cycle is being interrupted. The audience may have seen this as supernatural possession, possibly by the witches, which would have made the scene even more intense.When Lady Macbeth is in her slumbery agitation it seems as if she is in another world. The fact that she is being commented on by the Doctor and waiting-woman emphasises her isolation from the rest of the world. Also, the fact that the audience can see hear Lady Macbeth without her knowing will give them a feeling of superiority over her, and make her feel less powerful.When Lady Macbeth comes onstage the audience is draw to how she rubs her hands. The audience are told that she has been known to do this for a quarter of an min makes clear the extent of her deterioration.When Lady Macbeth first speaks, she talks of the imaginary, supernatural short letter of blood on her hand. This mirrors Macbeths hallucination of the air-drawn dagger. Lady Macbeth is experiencing what Macbeth has already encountered, but she has suppressed all humanity and compassion in her to such an extent that it has to find a way out, and the only way is when she is unconscious. When Macbeth sees the dagger he appears to have gone mad to the audience, but his cathartic e xtrusion of his fears is far healthier.In this scene, Lady Macbeths language has changed dramatically. Her first vocabulary is only four syllables long, but it is in prose, as opposed to the perfunctory iambic pentameter verse. Her speech is disjointed, which represents her isolation from the world. Also, there is so little rhythm to it, although it could be argued that the phrase takes a spondaic form, which would suggest a very disordered state and lack of control. Also, her speech is purposefully bland, reserved for those of a lower status, and most certainly not royalty like herself. This is very similar to Macbeths linguistic degeneration, when he addresses the Murderers in prose.Lady Macbeths language is a highly telling manifestation of her degeneration. The contrast between her poetic, calculated persuasion of Act One to the child-like drivel of The Thane of Fife had a wife.Lady Macbeths final speech is of a woman who is no longer exists in the present she is in the past r eliving her memories, almost in some horrifying reverie. The fact she is reliving the past is approve up with theres knocking at the gate, reflects a reliving of the last few moments before their act of murder was discovered. The speech is also crammed with repetition, with come repeated four times and to bed five. Finally, the phrase give me your hand is a perfect expression of her feelings towards her husband she still loves him but she still feels the desire to command and control.The doctors final speech widens the scope of Lady Macbeths experiences to take in the whole world Foul whisperings are abroad can be used to apply to the death of Lady Macbeth herself, but can also relate to the supernatural side-effects of Macbeths regicide. After the degeneration of Lady Macbeth, one of the most powerful and vivid character in all of drama, it is the lowly doctor who talks in poetry, not his usual prose. Unnatural deeds/ Do breed unnatural troubles sums up the play brilliantly, but a howling(a) reminder of the consequences the Macbeths have to live with.SECTION SEVEN conclusionThis essay has looked at Shakespeares use of the supernatural in great detail, commenting on it in a thematic, dramatic and audience-specific sense and focusing in extra detail on Act 1 Scene 1 and Act 5 Scene 1.Shakespeare makes excellent use of the supernatural through witches, hallucinations, prophecies, somnambulance and crackpot weather. Whether they dominate the scene or not, the many manifestations of the supernatural are used precisely and effectively to add an extra dimension to Macbeth.